Risorse web: articoli
Ordina per: id - autore - titolo - rivista - anno
N.B. Ordinando per ID รจ possibile visualizzare le ultime aggiunte.
| 1) Agostino Di Scipio, Sound is the Interface: from Interactive to Ecosystemic Signal Processing, Organised Sound, Vol. 8 [3], 2003, pp. 269 - 277. Vai al pdf |
| 2) Dan Trueman, Why a Laptop Orchestra?, Organised Sound, Vol. 12 [2], 2007, pp. 171 - 179. Vai al pdf |
| 3) John Chowning, The Simulation of Moving Sound Sources, Computer Music Journal, Vol. 1 [3], 1977, pp. 48 - 52. Vai al pdf |
| 4) Mark Dolson, The Phase Vocoder: A Tutorial, Computer Music Journal, Vol. 10 [4], 1986, pp. 14 - 27. Vai al pdf |
| 5) Barry Vercoe, Synthetic Listeners and Synthetic Perfomers, Proceedings of International Symposium Computer World, 1990, pp. 1 - 6. Vai al pdf |
| 6) Michael Hawley, The Personal Orchestra, or Audio Data Compression by 10,000:1, Computing Systems, Vol. 3 [2], 1990, pp. 289 - 239. Vai al pdf |
| 7) Keith Dana Martin, Sound-Source Recognition: A Theory and Computational Model, Tesi di laurea, 1999. Vai al pdf |
| 8) John Chowning, The Synthesis of Complex Audio Spectra by Means of Frequency Modulation, Journal of Audio Engineering Society, Vol. 21 [7], 1973, 526 - 534. Vai al pdf |
| 9) Larry Polansky, Interview with David Rosenboom, Computer Music Journal, Vol. 7, [4], 1983, pp. 40 - 44. Vai al pdf |
| 10) Horacio Vaggione, Articulating Microtime, Computer Music Journal, Vol. 20, [2], 1996, pp. 33 - 38. Vai al pdf |
| 11) Marvin Minsky, Music, Mind, and Meaning, Computer Music Journal, Vol. 5, [3], 1981, pp. 28 - 44. Vai al pdf |
| 12) James Moorer, About This Reverberation Business, Computer Music Journal, Vol. 3, [2], 1979, pp. 13 - 28. Vai al pdf |
| 13) Charles Dodge, Profile: A Musical Fractal, Computer Music Journal, Vol. 12, [3], 1988, pp. 10 - 14. Vai al pdf |
| 14) Denis Lorrain, A Panoply of Stochastic Cannons, Computer Music Journal, Vol. 4, [1], 1980, pp. 53 - 81. Vai al pdf |
| 15) Juraj Kojs, Cyberinstruments via Physical Modeling Synthesis: Compositional Applications, Leonardo Music Journal, Vol. 17, 2007, pp. 61 - 66. Vai al pdf |
| 16) Roberto Bresin, Emotional Coloring of Computer-Controlled Music Performances, Computer Music Journal, Vol. 24 [4], 2000, pp. 44 - 63. Vai al pdf |
| 17) James McCartney, Rethinking the Computer Music Language: SuperCollider, Computer Music Journal, Vol. 26 [4], 2002, pp. 61 - 68. Vai al pdf |
| 18) Donald Byrd, Music Notation Software and Intelligence, Computer Music Journal, Vol. 18 [1], 1994, pp. 17 - 20. Vai al pdf |
| 19) Donald Byrd, Music Notation by Computer, Tesi di laurea, 1984. Vai al pdf |
| 20) Ian Whalley, Applications of system dynamics modelling to computer music, Organised Sound, Vol. 5 [3], 2000, pp. 149 - 157. Vai al pdf |
| 21) Henkjan Honing, Issues on the Representation of Time and Structure in Music, Contemporary Music Review, Vol. 9 [1 e 2], 1993, pp. 221 - 238. Vai al pdf |
| 22) Phil Thomson, Atoms and Errors: Towards a History and Aesthetics of Microsound, Organised Sound, Vol. 9 [2], 2004, pp. 207 - 218. Vai al pdf |
| 23) Timothy Opie, Amplitude Analysis in Musical Composition, Proceedings of the Australasian Computer Music Conference, 2005, pp. 102 - 109. Vai al pdf |
| 24) Hans Werner, MetaSon #5 Skruv Stockholm: Turning Schizophonic Sound into Audiovirtual Image, Organised Sound, Vol. 7 [1], 2002, pp. 73 - 78. Vai al pdf |
| 25) William Dart, A View of Computer Music from New Zealand: Auckland, Waikato and the Asia/Pacific Connection, Organised Sound, Vol. 6 [1], 2001, pp. 11 - 20. Vai al pdf |
| 26) Andrea Valle, Mattia Schirosa, Vincenzo Lombardo, A Framework for Soundscape Analysis and Re-Synthesis, Proceedings of the 6th Sound and Music Computing Conference, 2009, pp. 13 - 18. Vai al pdf |
| 27) Andrea Valle, Vincenzo Lombardo, Mattia Schirosa, A Graph-Based System for the Dynamic Generation of Soundscapes, Proceedings of the 15th International Conference on Auditory Display, 2009, pp. 8. Vai al pdf |
| 28) Anastasia Georgaki, The Grain of Xenakis Technological Thought in the Computer Music Research of our Days, International Symposium Iannis Xenakis. Conference Proceedings, 2005, 355 - 361. Vai al pdf |
| 29) Leigh Landy, The ElectroAcoustic Resource Site (EARS), Journal of Music, Technology and Education, Vol. 1 [1], 2007, pp. 69 - 81. Vai al pdf |
| 30) Lowell Cross, Electronic Music 1948 - 1953, Perspectives of New Music, Vol. 7 [1], 1968, pp. 32 - 65. Vai al pdf |
| 31) John Chowning, The Simulation of Moving Sound Sources, Computer Music Journal, Vol. 1 [3], 1977, pp. 48 - 52. Vai al pdf |
| 32) Murray Schafer, Acoustic Space, Circuit: Musiques Contemporaines, Vol. 17 [3], 2007, pp. 83 - 86. Vai al pdf |
| 33) Marco Palumbi, Lorenzo Seno, Physical Modeling by Directly Solving Wave PDE, Proceedings of International Computer Music Conference, Pechino , 1999, pp. 325 - 328. Vai al pdf |
| 34) David Jaffe, Jiulius Smith, Extensions of the Karplus-Strong Plucked-String Algorithm, Computer Music Journal, Vol. 7 [2], 1983, pp. 56 - 69. Vai al pdf |