
These twenty-one original contributions by composers, behavioral scientists, engineers, and other specialists from many of the international centers of research in computer music provide an inside report on the most sophisticated aspects of digital synthesis, control and understanding of musical sound, and related work on perception. Among the specific topics covered are speech songs, synthesis of the singing voice, spatial reverberation, the simulation of bowed instruments, and a conductor program utilizing a mechanical baton. A chapter authored jointly by Mathews and Pierce describes a new musical scale they have been working on for the past few years.
Curato da Max V. Mathews e John R. Pierce e pubblicato da MIT Press, Current Directions in Computer Music Research raccoglie ventuno contributi originali di compositori, ingegneri e studiosi della percezione. Il volume affronta temi come sintesi e analisi del suono, psicoacustica, spazializzazione, sistemi per la performance e composizione assistita, offrendo una panoramica della ricerca sulla computer music alla fine degli anni Ottanta. Un testo di riferimento firmato da due pionieri della disciplina dei Bell Laboratories. In lingua inglese.
| Attributi | Valore |
|---|---|
| Condizione |
Usato |
| Lingua | |
| Supporto | |
| Autore |